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James Brown Sex Machine - Original Master Recording 180 Gram 33RPM - Sealed US 2-LP vinyl set
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JAMES BROWN Sex Machine (Original Master Recording limited edition Mobile Fidelity Sound Lab 15-track double album 2-LP mastered by Krieg Wunderlich on the Gain 2 Ultra Analog System, specially plated and pressed on 180-gram High-Definition Vinyl at 33RPM. Ranked by Rolling Stone among the 500 Greatest Albums of All Time, James Brown's Sex Machine (1970) stands as one of the most electrifying funk statements ever committed to tape. Part studio, part live, and entirely unstoppable, it captures the Godfather of Soul and his bands at the absolute height of their powers - sweat-soaked, fiery, and relentlessly rhythmic. With Bootsy and Catfish Collins anchoring the J.B.'s, plus searing horn lines from Maceo Parker and company, the album's centerpiece - the nearly 11-minute "Get Up I Feel Like Being Like a Sex Machine" - is alone worth the price of admission. Add in the likes of "Brother Rapp", "Give It Up or Turnit a Loose", "I Don't Want Nobody to Give Me Nothing", and the unstoppable closer "Mother Popcorn", and this becomes not only James Brown's most definitive live/studio hybrid, but one of funk's greatest recorded testaments. Heavyweight gatefold picture sleeve with original cover artwork, individually gold-foil numbered & factory sealed)
#Top 500 Greatest Albums Of All Time
TRACKLISTING AND EXTRA INFORMATION
Monster 1970 Double Album Presented in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g 33RPM 2LP Set Plays with Explosive Dynamics and Vibrant Immediacy
1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180g 33RPM 2LP set presents Sex Machine in audiophile sound for the first time. It explodes with the energy the lightning-strike music demands. Dynamic, immediate, present, airy: Everything from the brassiness and fluidity of the horns to the snap and decay of the snare to the swell and carry of the organ comes across in full-range perspective.
Then there’s Brown’s superhuman singing, which here emerges with a purity, naturalism, and transparency that ensure you feel everything. Screeching, shouting, pleading, moaning, preaching, stinging, commanding, testifying, crooning, humming: The Godfather of Soul contributes one of the finest vocal performances known to man. This definitive 55th anniversary reissue of Brown’s monster funk statement further exhibits a combination of clarity, solidity, separation, and imaging that helps bring to light what he and his crack ensembles committed to tape. Both in the studio and on the stage.
Just how lifelike does this reissue sound? Senior Mobile Fidelity Sound Lab engineer Krieg Wunderlich, who handled the remaster, notes: “There were some artifacts that sounded a bit like mistracking. But they turned out to be breath blasts on the vocal microphone. That is part of history. JB was workin' hard, and breathin' hard. And there was an edit the timing of that was truly strange. Again, a part of history.”
Originally marketed as a live album, Sex Machine contains six songs recorded in the studio and later overdubbed with canned crowd noise and reverberation. Save for “Low Down Popcorn,” the tracks on the latter half stem from a phenomenal performance captured in October 1969 at Bell Auditorium in Brown’s adopted hometown of Augusta, GA. The special relationship between the singer, the audience, and the location is palpable.
As the 1960s gave way to a new decade, Brown experienced immense success and dealt with unexpected change. Soul Brother Number One soon expanded his idea for an official live album captured in Augusta when the ensemble that backed him on that date morphed into the original version of the world-famous J.B.’s just months after the show. The virtuosic abilities, sticky chemistry, and rhythm-forward nature of the J.B.’s prompted him to book a one-off session in Cincinnati, OH, on a late July night.
Anchored by brothers William “Bootsy” Collins and Phelps “Catfish” Collins, the group — as well as two different drummers — laid down a nearly 11-minute rendition of “Get Up I Feel Like Being Like a Sex Machine” and a thrilling medley of “Bewildered,” “I Got the Feeling,” and “Give It Up or Turnit a Loose.” A pair of then-recent studio singles cut in separate locations in 1969, “Brother Rapp” and “Low Down Popcorn,” each featuring his prior group, took care of the second LP worth of material that complements the originally planned live set.
Complicated? Somewhat. Unusual? Definitely. But just as he elevated the expectations for all present and future R&B artists, Brown not only makes it all work. He makes it positively electrifying.
“Get Up I Feel Like Being Like a Sex Machine” is alone deserving of a dissertation on the art of funk music, seeing it moves up and down akin to an oil derrick, witnesses Brown unleashing a trademark series of grunts, squeaks, and “good god” asides, and glides to a hypnotic groove that won’t quit. Or look to the syncopated rhythms of “Brother Rapp (Part I and Part II),” one of multiple pieces here that signify the point where Brown began viewing every instrument as a percussive tool. Brown closes the three-song medley with his new band with a skedaddling “Give It Up or Turnit a Loose,” which provides jolts on the order of sticking your finger into a socket.
Not that the actual live material falls short in any way. Setting an insistent tempo for the vitality that follows, “I Don’t Want Nobody to Give Me Nothing” positions Brown as a role model, leader, and self-sufficient entrepreneur. All simmer and boil, the short and sweet “Licking Stick” dares you to keep pace. The floating, almost comforting “Spinning Wheel” spotlights the instrumental prowess of Maceo Parker and company, and functions as a seamless segue into the tender, horn-saluted “If I Ruled the World.”
And Brown and his mates still aren’t done. Just try to resist the one-two closing punch of “I Can’t Stand Myself (When You Touch Me)” and “Mother Popcorn.” Mercy.
Ain’t it funky? Sure ‘nuff.
Side One
1. Get Up I Feel Like Being Like a Sex Machine
2. Brother Rapp (Part I and Part II)
Side Two
1. Bewildered
2. I Got the Feeling
3. Give It Up or Turnit a Loose
Side Three
1. I Don't Want Nobody to Give Me Nothing
2. Licking Stick
3. Low Down Popcorn
4. Spinning Whee
Artist - James Brown (click link for complete listing)
Title - Sex Machine (click link for more of the same title)
Year of Release - 2025
Original Year of Release - 1970
Format - 2-LP vinyl record set (Double LP Album)
Record Label - Mobile Fidelity Sound Lab
Catalogue No - MFSL2-591 (click link for more)
Country of Origin - United States (USA)
Language - Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
Audiophile – This is an Audiophile item. Click link for similar items
Additional info - Sealed, Picture Sleeve
Barcode - 821797259118
Condition - Factory sealed from new. This item is unplayed. Click here for more info.
RareVinyl.com Ref No - JMB2LSE875814
Related Artists - A.A.B.B., Anna King, Bobby Byrd, Fred Wesley, Lyn Collins, Maceo & The Macks, Marva Whitney, Sweet Charles, The First Family, The J.B.'s.
GENRES
Funk, Male Solo, Soul and r&b.
ORDERING
Availability - In Stock - Buy Now for shipping today
Postage/Shipping Cost - Add item to your basket for a postage/shipping quote. For further delivery info click here
Email - sales@rarevinyl.com to contact our sales team.
To order by phone - Call (+44) 01474815010
RareVinyl.com Reference Number - JMB2LSE875814
SELL TO US
Got vinyl records, CDs or music memorabilia to sell? – Sell to us at our buying site https://vinyl-wanted.com
#Top 500 Greatest Albums Of All Time
TRACKLISTING AND EXTRA INFORMATION
Monster 1970 Double Album Presented in Audiophile Sound for the First Time: Mobile Fidelity’s Numbered-Edition 180g 33RPM 2LP Set Plays with Explosive Dynamics and Vibrant Immediacy
1/4" / 15 IPS analog master to DSD 256 to analog console to lathe
Sourced from the original master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s numbered-edition 180g 33RPM 2LP set presents Sex Machine in audiophile sound for the first time. It explodes with the energy the lightning-strike music demands. Dynamic, immediate, present, airy: Everything from the brassiness and fluidity of the horns to the snap and decay of the snare to the swell and carry of the organ comes across in full-range perspective.
Then there’s Brown’s superhuman singing, which here emerges with a purity, naturalism, and transparency that ensure you feel everything. Screeching, shouting, pleading, moaning, preaching, stinging, commanding, testifying, crooning, humming: The Godfather of Soul contributes one of the finest vocal performances known to man. This definitive 55th anniversary reissue of Brown’s monster funk statement further exhibits a combination of clarity, solidity, separation, and imaging that helps bring to light what he and his crack ensembles committed to tape. Both in the studio and on the stage.
Just how lifelike does this reissue sound? Senior Mobile Fidelity Sound Lab engineer Krieg Wunderlich, who handled the remaster, notes: “There were some artifacts that sounded a bit like mistracking. But they turned out to be breath blasts on the vocal microphone. That is part of history. JB was workin' hard, and breathin' hard. And there was an edit the timing of that was truly strange. Again, a part of history.”
Originally marketed as a live album, Sex Machine contains six songs recorded in the studio and later overdubbed with canned crowd noise and reverberation. Save for “Low Down Popcorn,” the tracks on the latter half stem from a phenomenal performance captured in October 1969 at Bell Auditorium in Brown’s adopted hometown of Augusta, GA. The special relationship between the singer, the audience, and the location is palpable.
As the 1960s gave way to a new decade, Brown experienced immense success and dealt with unexpected change. Soul Brother Number One soon expanded his idea for an official live album captured in Augusta when the ensemble that backed him on that date morphed into the original version of the world-famous J.B.’s just months after the show. The virtuosic abilities, sticky chemistry, and rhythm-forward nature of the J.B.’s prompted him to book a one-off session in Cincinnati, OH, on a late July night.
Anchored by brothers William “Bootsy” Collins and Phelps “Catfish” Collins, the group — as well as two different drummers — laid down a nearly 11-minute rendition of “Get Up I Feel Like Being Like a Sex Machine” and a thrilling medley of “Bewildered,” “I Got the Feeling,” and “Give It Up or Turnit a Loose.” A pair of then-recent studio singles cut in separate locations in 1969, “Brother Rapp” and “Low Down Popcorn,” each featuring his prior group, took care of the second LP worth of material that complements the originally planned live set.
Complicated? Somewhat. Unusual? Definitely. But just as he elevated the expectations for all present and future R&B artists, Brown not only makes it all work. He makes it positively electrifying.
“Get Up I Feel Like Being Like a Sex Machine” is alone deserving of a dissertation on the art of funk music, seeing it moves up and down akin to an oil derrick, witnesses Brown unleashing a trademark series of grunts, squeaks, and “good god” asides, and glides to a hypnotic groove that won’t quit. Or look to the syncopated rhythms of “Brother Rapp (Part I and Part II),” one of multiple pieces here that signify the point where Brown began viewing every instrument as a percussive tool. Brown closes the three-song medley with his new band with a skedaddling “Give It Up or Turnit a Loose,” which provides jolts on the order of sticking your finger into a socket.
Not that the actual live material falls short in any way. Setting an insistent tempo for the vitality that follows, “I Don’t Want Nobody to Give Me Nothing” positions Brown as a role model, leader, and self-sufficient entrepreneur. All simmer and boil, the short and sweet “Licking Stick” dares you to keep pace. The floating, almost comforting “Spinning Wheel” spotlights the instrumental prowess of Maceo Parker and company, and functions as a seamless segue into the tender, horn-saluted “If I Ruled the World.”
And Brown and his mates still aren’t done. Just try to resist the one-two closing punch of “I Can’t Stand Myself (When You Touch Me)” and “Mother Popcorn.” Mercy.
Ain’t it funky? Sure ‘nuff.
Side One
1. Get Up I Feel Like Being Like a Sex Machine
2. Brother Rapp (Part I and Part II)
Side Two
1. Bewildered
2. I Got the Feeling
3. Give It Up or Turnit a Loose
Side Three
1. I Don't Want Nobody to Give Me Nothing
2. Licking Stick
3. Low Down Popcorn
4. Spinning Whee
Artist - James Brown (click link for complete listing)
Title - Sex Machine (click link for more of the same title)
Year of Release - 2025
Original Year of Release - 1970
Format - 2-LP vinyl record set (Double LP Album)
Record Label - Mobile Fidelity Sound Lab
Catalogue No - MFSL2-591 (click link for more)
Country of Origin - United States (USA)
Language - Regardless of country of origin all tracks are sung in English, unless otherwise stated in our description.
Audiophile – This is an Audiophile item. Click link for similar items
Additional info - Sealed, Picture Sleeve
Barcode - 821797259118
Condition - Factory sealed from new. This item is unplayed. Click here for more info.
RareVinyl.com Ref No - JMB2LSE875814
Related Artists - A.A.B.B., Anna King, Bobby Byrd, Fred Wesley, Lyn Collins, Maceo & The Macks, Marva Whitney, Sweet Charles, The First Family, The J.B.'s.
GENRES
Funk, Male Solo, Soul and r&b.
ORDERING
Availability - In Stock - Buy Now for shipping today
Postage/Shipping Cost - Add item to your basket for a postage/shipping quote. For further delivery info click here
Email - sales@rarevinyl.com to contact our sales team.
To order by phone - Call (+44) 01474815010
RareVinyl.com Reference Number - JMB2LSE875814
SELL TO US
Got vinyl records, CDs or music memorabilia to sell? – Sell to us at our buying site https://vinyl-wanted.com